Academy Scares Up Sound Experts for Horrorshow

October 21, 2009

Academy Scares Up Sound Experts for Horrorshow

Beverly Hills, CA (RPRN) 10/21/09 — — Exploring the art and technology of sound in motion pictures and the vital role it plays in shaping horror films, the Academy of Motion Picture Arts and Sciences will present “The Sound behind the Image III: Real Horrorshow!,” on Thursday, October 29, at 7:30 p.m. at the Academy’s Samuel Goldwyn Theater in Beverly Hills.

Presented by the Academy’s Science and Technology Council, the event will be hosted by Oscar®-winning supervising sound editor David E. Stone, and will feature film clips tracing the evolution of sound in horror films from the pre-sound era of “The Phantom of the Opera” (1925) through such films of the digital age as “The Blair Witch Project” (1999) and “Cloverfield” (2008).

Mark Mangini, a three-time Oscar nominee for Sound Effects Editing, and Richard L. Anderson, a two-time Oscar nominee for Sound Effects Editing and the recipient of a Special Achievement Award, will demonstrate how sound effects were created for “Poltergeist” (1982), a film that elevated horror sound from B-movie quality to full-scale, multichannel modernism.

Vanessa Theme Ament, foley artist, teacher and author (The Foley Grail) will take the stage to present the work of master foley artist John Post, who in his work on such films as John Carpenter’s “The Thing” (1982), and in his role as trainer/mentor to other foley artists, influenced the way sound effects are created for horror films today and helped make foley a respected and necessary part of every horror soundtrack.

In addition, Oscar-winning production sound mixer Gene Cantamessa and supervising sound editor Don Hall will discuss their work behind the scenes of “Young Frankenstein” (1974). Sound effects editor and foley artist Louis Kleinman, sound rerecording mixer Christian Minkler, and sound effects wrangler Steve Lee will also participate in onstage discussions.

Tickets to “The Sound behind the Image III: Real Horrorshow!,” are $5 for the general public and $3 for Academy members and students with a valid ID.

Tickets are available for purchase by mail, at the Academy box office (8949 Wilshire Boulevard, Monday through Friday, 9 a.m. to 5 p.m.), or online at www.oscars.org. Doors open one hour prior to the event. All seating is unreserved.

The Samuel Goldwyn Theater is located at the 8949 Wilshire Boulevard in Beverly Hills. For more information call (310) 247-3600 or visit www.oscars.org.

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ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is the world’s preeminent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In addition to the annual Academy Awards – in which the members vote to select the nominees and winners – the Academy presents a diverse year-round slate of public programs, exhibitions and events; provides financial support to a wide range of other movie-related organizations and endeavors; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history. Through these and other activities the Academy serves students, historians, the entertainment industry and people everywhere who love movies.

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COMMUNICATIONS DEPARTMENT
8949 WILSHIRE BOULEVARD | BEVERLY HILLS, CA 90211-1907
(310) 247-3090 TEL | (310) 271-3395 FAX | PUBLICITY@OSCARS.ORG | WWW.OSCARS.ORG/PRESS

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Media Contact Name: Teni Melidonian
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Academy of Motion Picture Arts and Sciences is the world’s preeminent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In addition to the annual Academy Awards – in which the members vote to select the nominees and winners – the Academy presents a diverse year-round slate of public programs, exhibitions and events; provides financial support to a wide range of other movie-related organizations and endeavors; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history. Through these and other activities the Academy serves students, historians, the entertainment industry and people everywhere who love movies.

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